{"id":1251,"date":"2023-12-23T09:11:35","date_gmt":"2023-12-23T09:11:35","guid":{"rendered":"https:\/\/art.jardincosmique.com\/?page_id=1251"},"modified":"2024-03-22T06:24:06","modified_gmt":"2024-03-22T06:24:06","slug":"on-en-parle-%ef%bb%bf","status":"publish","type":"page","link":"https:\/\/art.jardincosmique.com\/?page_id=1251","title":{"rendered":"On en parle"},"content":{"rendered":"\n

A propos de la peinture holocin\u00e9tique<\/em><\/p>\n\n\n\n

Fr\u00e9d\u00e9ric K\u00fcnzi<\/strong> \u2013 Historien de l\u2019art, commissaire d\u2019exposition \u00e0 la Fondation Gianadda
Extrait de l\u2019\u00e9mission \u00abDevine qui vient d\u00eener\u00bb \u2013 RTS La 1\u00e8re<\/sup><\/em>

\u00ab C\u2019est un ami de L\u00e9onard Gianadda qui m\u2019a fait part du travail de K-soul et j\u2019ai \u00e9t\u00e9 absolument enthousiasm\u00e9. Normalement je n\u2019aime pas le non-figuratif, je fais des expositions de peintres du 19\u00e8me<\/sup> si\u00e8cle comme F\u00e9lix Vallotton ou du d\u00e9but du 20\u00e8me<\/sup> si\u00e8cle avec Giacometti. Par int\u00e9r\u00eat et curiosit\u00e9 j\u2019ai rencontr\u00e9 K-soul et j\u2019ai \u00e9t\u00e9 absolument \u00e9merveill\u00e9 par cet art, par la couleur et les formes qui changent constamment. Dans l\u2019art de K-soul il n\u2019y a pas d\u2019objet que vous pouvez d\u00e9finir, c\u2019est vraiment l\u2019\u00e9merveillement de l\u2019imaginaire.

Il y a tout ce que l\u2019on peut voir dans l\u2019Univers, des trous noirs, des supernovas, des naines blanches, vous pouvez tout voir et tout imaginer \u2026 je suis rest\u00e9 dans une exposition de K-soul des heures a regarder ses \u0153uvres \u00e9voluer, passant de l\u2019une \u00e0 l\u2019autre sans cesse\u2026
J\u2019imagine aussi que sa proximit\u00e9 avec la nature fait la beaut\u00e9 des couleurs et la luminosit\u00e9 que l\u2019on trouve dans ses \u0153uvres.

Pourquoi est-on proche de Kandinsky, de Klee, de ces peintres l\u00e0 ? Parce que c\u2019est une peinture qui va chercher derri\u00e8re les formes les secrets de la lumi\u00e8re, du mouvement de la mati\u00e8re, qui va chercher \u00e0 l\u2019int\u00e9rieur de la chose elle-m\u00eame. C\u2019est la vibration que tous ces peintres ont recherch\u00e9 et ont voulu d\u00e9finir, et que K-soul a r\u00e9alis\u00e9. \u00bb <\/p>\n\n\n\n

\n\n\n\n

Carlos Gonz\u00e1lez<\/strong> \u2013 Royal Academy of Arts \u2013 San Fernando \u2013 Espagne

\u00ab Si l\u2019\u00e9volution de l\u2019art au 20\u00e8me si\u00e8cle \u00e9tait essentiellement d\u00e9di\u00e9e au d\u00e9veloppement de l\u2019art contemporain, aujourd\u2019hui je suis le t\u00e9moin de l\u2019art le plus avant-gardiste que je n\u2019aie jamais connu. Le 21\u00e8me si\u00e8cle est repr\u00e9sent\u00e9 dans ces \u0153uvres d\u2019art. \u00bb <\/p>\n\n\n\n

\n\n\n\n

Suzie Walshe<\/strong> \u2013 \u00ab New York Arts Magazine \u00bb<\/p>\n\n\n\n

\u00ab \u2026 Looking to modern art influences including Kandinsky, Klee, \nMalevich, Beuys, or Mondrian, K-soul takes an approach that furthers \nthese previous artists\u2019 pursuit of the pure and the spiritual in art. \nLike Kandinsky, his artworks stir the same associations with music and \ndance, and embody Wagner\u2019s conception of the Gesamtkunstwerk.<\/p>\n\n\n\n

Taking up where Malevich left off with his Suprematist Composition: \nWhite on White, K-soul takes painting into the future, by introducing \nthe next logical medium: time. Yet, according to K-soul, when \nintegrating time into the static image, you also are integrating \n\u201cradiant light and movement in it.<\/p>\n\n\n\n

K-soul also examines the divine nature of existence, and the \nvibrational energy fields of all of life. K-soul\u2019s work hovers somewhere\n in between, both essentialized and pure in its abstraction, yet always \nreverent of nature and human life energies.<\/p>\n\n\n\n

Ultimately, his work represents a cosmology of existence that is at once otherworldly and completely of this world, sensual and divine, eternal and completely of the moment: in short the totalized artwork once imagined in the last century, but never fully realized until now. \u00bb<\/p>\n\n\n\n

K-soul<\/a> – On en parle<\/a> – Expositions & Distinctions<\/a> – Bio<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"

A propos de la peinture holocin\u00e9tique Fr\u00e9d\u00e9ric K\u00fcnzi \u2013 Historien de l\u2019art, commissaire d\u2019exposition \u00e0 la Fondation Gianadda Extrait de l\u2019\u00e9mission \u00abDevine qui vient d\u00eener\u00bb \u2013 RTS La 1\u00e8re \u00ab C\u2019est<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1251","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=\/wp\/v2\/pages\/1251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1251"}],"version-history":[{"count":7,"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=\/wp\/v2\/pages\/1251\/revisions"}],"predecessor-version":[{"id":1465,"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=\/wp\/v2\/pages\/1251\/revisions\/1465"}],"wp:attachment":[{"href":"https:\/\/art.jardincosmique.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}